My favorite moment arrives when the designers unwind at a wine bar that evening, during which Anna slips away to FaceTime her partner and her baby. She needs to go “dark and sexy and avant-garde,” to which she replies, chipper once more, “Okay. After walking himself back from the edge of a mental breakdown, he pulls Anna aside and tells her she can’t send her baby’s moments down the runway. (From my understanding, it seems her design was intended to honor her infant’s biggest “moments,” thus the pacifier and pool float.) To the room, Christian proclaims, “Oh my God,” not once but thrice. Here, Anna-bless her beautiful heart-promptly bursts into tears. “Anna, what is this?” Christian asks, eyeing what appears to be the wrinkled bedsheet thrown over Anna’s model.Īnna replies, cheerily, “This is the back from the piano, and she will have a hat, and also a baby swimming float, and a pacifier.”Ĭhristian’s face here is priceless. Their exchange is worth reproducing here in its entirety. 1 in a bit) happens when Christian confronts Anna about her work in progress. My second-favorite moment of the episode (we’ll get to No. Maybe it’s the fact that my stomach knots itself into a pretzel shape anytime anyone starts yelling, but I like all this old-fashioned kindness! (“I think a truly good unconventional look doesn’t need a glue gun.” Sure, I guess!) But apart from Viktor running around begging for extra boomerangs-and apologizing to Korto for how he treated her during season 3-the in-fighting is nonexistent. Episode 3 has remarkably little spice to offer the most heated remark comes via Hester, side-eyeing Fabio and Brittany for their decision to use glue guns. Still, there’s something lovely and sweet about how well this cohort seems to get along. Play icon The triangle icon that indicates to play Could have used a little lube.” Got it, thanks for that. After he tells Fabio his playing-card minidress is boring, Fabio devotes precious confessional interview time to inform us that Christian’s critique was “maybe a little too dry for me. The designers have two days to complete this week’s task, and Christian is already doling out some uninhibited feedback. In the workroom, they settle into something like controlled panic, which is Project Runway’s default state. (Seriously, why so many floor pianos? Is this all thanks to Big?) With their $2,000 in hand, these folks go predictably nuts: They fill shopping bags with magnets, playing cards, boomerangs, sand buckets, stuffed dinosaurs and unicorns and bears, keychains, tents, puzzles, tea cups, kites, beach chairs, wooden pepperoni slices, propeller hats, crayons, baby rattles, and about 11,000 of those floor pianos. These Project Runway designers, however, managed to stitch stuffed panda bears into a stole.Īs the remaining designers navigate their way around a seemingly endless supply of floor pianos at FAO Schwarz this week, Christian reminds them of the luxury houses already making toys chic: Thom Browne with teddy-bear top hats, Moschino with pool floats, even Gucci with Gremlins. I would neglect to procure one single scrap of fabric for the article of clothing I’ve been tasked to create. I would waltz out of that wonderland with my Barbie Polaroid camera and my rock tumbler and a racetrack for my husband, and you would not hear from either of us for at least the ensuing 24 hours. Were I presented with this week’s Project Runway challenge-take $2,000 worth of toys and transform them into couture-and set loose in FAO Schwarz, I can almost guarantee any thought of the “unconventional materials” challenge would vanish from my mind.
0 Comments
Leave a Reply. |
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |